{"id":1729,"date":"2019-11-06T10:43:30","date_gmt":"2019-11-06T10:43:30","guid":{"rendered":"https:\/\/www.lavanderiaavapore.eu\/events\/sacre-works\/"},"modified":"2020-01-09T15:05:13","modified_gmt":"2020-01-09T15:05:13","slug":"sacre-works","status":"publish","type":"mec-events","link":"https:\/\/www.lavanderiaavapore.eu\/en\/events\/sacre-works\/","title":{"rendered":"SACRE \/ WORKS"},"content":{"rendered":"

A night event entirely dedicated to Emanuel Gat, well-known Israelian choreographer living in France.<\/h3>\n

WORKS (35′)
\n<\/span>choreography and light design<\/em>\u00a0Emanuel Gat<\/strong>
\nmusic<\/em>\u00a0Emanuel Gat, MnM; Emanuel Gat, SARA; J.S Bach, The well tempered clavier, book 2 Prelude #4 in C Sharp minor BWV 873, Piano: Glenn Gould; Chick-P, Business Bach; Irving Berlin, They Say It\u2019s Wonderful, The Chordettes<\/strong>
\nlights<\/em> Guillaume F\u00e9vrier<\/strong>
\nsound<\/em>\u00a0Fr\u00e9d\u00e9ric Duru<\/strong>
\ncreated and performed by<\/em>\u00a0Thomas Bradley, Michael Loehr, Genevieve Osborne, Karolina Szymura, Milena Twiehaus, Sara Wilhelmsson<\/strong>
\nproduction<\/em> Emanuel Gat Dance<\/strong>
\ncoproduction<\/em> Festival Montpellier Danse, Sc\u00e8ne Nationale d\u2019Albi, Maison de la Danse de Lyon, Festival Vaison Danses<\/strong>
\nwith the support of <\/i>Conseil D\u00e9partemental des Bouches du Rh\u00f4ne and<\/em> R\u00e9gion Provence-Alpes-C\u00f4te d\u2019Azur<\/strong>
\nEmanuel Gat Dance acknowledges the support of the city of Istres, of the French Ministry of Culture and the DRAC Provence-Alpes-C\u00f4te d\u2019Azur.<\/strong>
\ncreated at<\/em> Agora – cit\u00e9 internationale de la danse and<\/em> Maison de la danse d\u2019Istres<\/strong><\/h5>\n
WORKS (2017 short version) is a dance piece celebrating dancers. Their uniqueness, virtuosity, engagement, fearlessness, sense of responsibility and humanity. A group of 6 dancers, all long time collaborators of Emanuel Gat Dance, sharing years of a joint artistic collaboration as well as an intimate knowledge of Gat\u2019s creative process, fill the stage in a succession of choreographic fragments evolving through various constellations, formats, musical environments and choreographic procedures.<\/h6>\n
\n
to follow
\nSACRE (33′)<\/span>
\nmusic <\/em>I. Stravinsky, La sagra della primavera<\/strong>
\nchoreography, light design and costumes <\/em>Emanuel Gat<\/strong>
\nwith<\/i> T<\/strong>homas Bradley, Michael Loehr, Genevieve Osborne, Karolina Szymura, Milena Twiehaus
\n<\/strong>production<\/em> Emanuel Gat Dance<\/strong>
\ncoproduction<\/em> The Suzanne Dellal Centre (Israele), Festival Uz\u00e8s Danse, Monaco Dance Forum<\/strong>
\nwith the support of <\/em>Dellal Foundation, Theatre de l\u2019Olivier \u2013 Istres, Ballet Monte-Carlo, Foundation of Philippe de Rothschild<\/strong>
\nin collaboration with <\/em>European Dance Alliance \u2013 Valentina Marini Management
\ncreated during the residency<\/em>\u00a0Montpellier Danse, Agora – Cit\u00e9 Internationale pour la Danse and at Maison de la Danse d\u2019Istres<\/strong><\/h5>\n
SACRE is a revised version of the piece originally created by Emanuel Gat to Stravinsky\u2019s eponymous score back in 2004. A work for three women and two men, SACRE takes apart the mechanics of Cuban salsa dancing, and reassembles them to create a complex and dramaturgically charged choreographic score. A free spirited and challenging reading of Stravinsky\u2019s masterpiece, SACRE offers no notions of sacrifice, but rather a multitude of options for action.<\/h6>\n