concept Giovinetti choreography Giovanni Impellizzieri performance Giovinetti and other agents from local community
Merleau Indianois a relationalapparatus in whichthinking and practice combine eachothertobringrealanatomiesclosertofantasticones in the dancing spectacleof the encounter. Itis the first nomination of the generative environmentthatistobecreated, a mutationalreadyunderway, faunalvastoceanicwarmth,anencyclopediccrossing. Nomination ofThe between dance and philosophy, ofour meeting whichbyitsvocationtoopennessisalreadyforgetfulness in makingspaceforallotherpossibleencounters, forall the othersBetween. An investigationinto the possibilitiesofThe betweenas a present in which the subjectsgetinvolved in a dialogue and in which the future isimaginedtogether.A phenomenological observatory in which philosophical and choreographic thought nourish the gaze by opening windows on the possibilities of the present, conceived as a sea of extensional relationships in which knowledge acquired here and now is valued, short circuits, rejects and re-choreographies of them, in which what still I don’t know I will soon know, through generative processes. A poetic of weaving in a political dimension understood as a recipe for a shared time in which the subjects, located in a system of existence rather than efficiency, co-define a polyrhythm of interactions as waves that can emphasize or dampen their effects by magic, agreement, disagreement, prefiguration, design, aleatority.Becoming Nature as a cluster of possible phenomena that manifest themselves through the actions of bodies, creating thinking, dancing, sound, eidetic, plastic environments in the environment. A wandering in which these are scattered throught a fade-in / fade-out process. This formation and self-formation environment is an apparatus for creating live interactions where “dance is seen as a form of autonomy of the living, a form of presence, of perceivable intensity through the bodies, of emergent behavior; choreography is a form of organization of a certain material in space and time in an experimental exercise of freedom
What is?
What can a body do? And a body with other bodies?
How to get around? What to do?
Where do I get my “why”?
What can I know (learn) here and now through dancing behavior?
Giovinetti is Gaia Giovine Proietti & Giovanni Impellizzieri
Gaia Giovine Proietti wasborn in Turin in 1976 whereshelives and worksdealingwithresearch on PhilosophyforChildren. Hecollaboratedfor a fewyearswith the Angolo Manzoni publishing house as part of the cultural association “Sulla Parola” and directedhisstudies on narrationas a toolforcritical and autonomousthinking in bothchildren and adults. Shegraduated in Philosophy, ethical-politicaladdress at UniversityofTurin. In 2009 heparticipated in the ICPIC International Conference “Educatingforcomplexthinkingthroughphilosophyinquiry. Models, advances and proposalsfor the newmillenium ”organizedby the DepartmentofEducationof the UniversityofPadua. In 2008 heproposedhisworkshopswithin the Ludorìregional project, presentedby the association “La Nottola di Minerva” ofTurin and heldtwocyclesofmeetingswithelementaryclasses at the Collodi school in Caselle Torinese in 2009. In 2010 hemet the studentsbylecturer Claudio Callierowithanintervention on histhesis work and hisexperience at the FacultyofPrimaryEducationof the UniversityofTurin. In the sameyearheparticipated in the training courseheldby the CRIF (Center forphilosophicalinvestigation-sectionMonviso-Fossano) entitled: TAKING IT WITH-PHILOSOPHER. Courseofapproachto the ‘Philosophyfor Community’. From 2013 to 2018 hewas part of the teachersgroupof the HamsaAcademyofTurincounselingschooldealingwith management and training throughphilosophicalpractices. Since 2015 hehasattended the training seminarsof the network of Insieme di Pratiche Filosoficamente Autonome (Propositi di Filosofia) withwhichsince 2016 hehaspromotedprojectsforcitizenship: in Cavallerizza, in the Borgo Campidoglio and in 2022 shestarts the meetings at the Circolo Risorgimento in Turin. Since 2019 shehasstartedto facilitate philosophywithin the Dance Well project at the Lavanderia a Vapore di Collegno, with the supportof the Piemonte dal Vivo Foundationconceivedby the CSC Casa della Danza of Bassano del Grappa in collaborationwith the ItalianAssociationof Young Parkinsonians and the TurinFoundation. Museums. With Propositi di Filosofia hefacilitatesworkshops in the classesof the high schoolof the Amedeo Avogadro in Turin and in 2021 at the Primo Liceo Artistico in Turinwithin the Media Dance project of Lavanderia a Vapore.
Giovanni Impellizzieriwasborn in Milazzo in 1984. Choreographer and performer crossesvariousmeansofartistic production: poetry, music, visualarts, dance. Afterhis industrial design studies at the ISIA Istituto Superiore per le Industrie Artistiche ofRomehecollaboratedwithAltroequipe (Lucia Latour). Heattended the Intensive Course at SNDO in Amsterdam and manyworkshops led bynational and internationalartists. The solo Le toi de moi / NeverendingPoemwaspresented in the art galleries Pio Monti, Honos Art, Anna Marra, Valentina Bonomo, Edieuropa and at the MACRO MuseumofContemporary Art in Romewhereitalsopresents the trio 20CENT influencedby the textsof the futurist Umberto Boccioni and realizes the relationaldeviceASYLUM. Choreography. Counternarratives. in whichperforming and visualarts are seenascooperationframeworkbetweenchoreographers, dancers, students, refugees, visitors. The project involved the National Dance Academy , the Fine ArtsAcademyofRome and the FacultyofArchitecture La Sapienza. In 2021 hewasselectedfor the european project Boarding Pass Plus Dance, the initiativeislaunchedby CSC Centro per la Scena Contemporanea of Bassano del Grappa withLithuanian Cultural Institute, Lithuanian Dance Information Centre and LithuaniaContemporary Dance Association, tostimulate cultural encounters, todevelop and implementanartists‘ exchangeprogramofresidenciesbetween Italy and Lithuania, in the contextofcontemporary dance, and tointensify the presenceofItalian and Lithuaniancreators in newterritories.Heinvestigatesthemeslikeperception, imagery and powerrelatedtoinstantcompositionby questioning techniques learned by movers in a discourse on “body technologies”, that is, a logos on all operations necessary to adapt one’s structures (cognitive and anatomical) to the time and space of the dance to be generated.Dance isseenas a system ofautonomyof the living, a formof intelligence, presence, intensityperceptiblethroughbodies, the developmentofanembodied vision in anexperimentalexerciseoffreedom.