29 Gen 2025

WHY ALL THESE QUESTIONS?

As the new year unfolds, we take a moment to celebrate 2024 as the first year of documentation practices guiding the work on our Blog by gathering questions which have emerged from various artistic residencies and projects into a speculative scrapbook.

We will be mixing all the questions up, welcoming them in unfamiliar constellations and beyond their original context. We will be asking, what if a cultural institution joined asking questions that typically guide the work within its protected residency spaces?


What follows is a practice of porosity,
of liberating our imagination beyond the micro and the macro layers of cultural work,
of observing that performance as a practice of embodying alternative visions transcends the studio residency,
of recognizing a quality of artistic research within the cultural institution at large.

On this Blog, we are the archaeologists who traverse Lavanderia a Vapore by living all the experiences: we dig in, pick up and care for traces, organic and alive, that dance leaves. We ask what remains of dance and how.
When looking through the materials we have assembled so far, it seems that what remains of dance is a bunch of questions, revealing with them a posture of dialogue and discovery, one that resists the idea of a singular truth that can be owned and asserted.

Looking closely, these questions excavated from the body promise us a future.
Asking is accompanied by a desire to acquire knowledge. Desire is a mobilizing force. It is a motion that ignites the body and the imagination, that seeks possibilities by unearthing key issues and igniting movement towards something that is not yet.

If we wish to see our future, we must look at what we ask.
Our questions are our oracle.

How do we play?

“A paradigm shift occurs when a question is asked inside the current paradigm that can only be answered from outside it.”

A quote from Professor Marilee Goldberg in The Art of the Question, which highlights the paradigm-shifting capacities of dislocating questions from their current contexts, sets this speculative scrapbook into motion.
Questions will be misplaced: picked from their original context and placed into new collages where their initial relevance is transversed,
opening an imagination to what is beyond the visible,
choreographing our desire into phantasmagoric hunches about

a possible cultural institution.

Also!

We take a suggestion from Iceberg, a process by the associate artist Salvo Lombardo that fosters practices of porosity and reciprocity between the artist and an institution. The iceberg, with its measurable peaks and its hidden mass, bulk and power, lends itself to imagining an intricate relational warp, a concatenation of forms of doing between the micro and macro, the visible and hidden – that translated into layers of cultural work vary between the creative residencies, programming activities, network projects; and the larger organizational context, the relational textures and community structures that surround, support and feed them.

The image of an iceberg gently disintegrates the traditional verticality of an organization’s social dramaturgy by insisting on the presence of visible and invisible entanglements, a network of mutually traversing discourses that affect the vision and design of a possible institution.

The following is an invitation to play and speculate together to further deconstruct the verticality of a cultural institution and move towards what could be.
We allow our imagination to wonder,
we ask,

what if the questions that emerged from choreographic processes, studio practice and research, were applied in the institutional dimension of cultural work?

Which visions appear?

MANIFEST NO 3, MARCH 2024

Questions harvested from:
Come stiamo?, the artistic residency of Anna Basti
DANCE WELL: come viaggia la traccia?, Gaia Giovine Proietti’s documentation of the Dance Well project
DARK MATTERS: nel cuore dell’abisso, The Dark MatterS Winter Festival 2024
Come si coltiva il desiderio?, the Take-away Archive
I campi gravitazionali, a project in the frame of Forever Young
ICEBERG: residenza artistica di Salvo Lombardo, the artistic residency of Salvo Lombardo
Il tempo delle mele, a project involving groups over 65
In the meanwhile, the collective research project Interspazio
L’ECO DELLE PAROLE: un manifesto poetico sull’adesso, an artistic residency at school in the frame of School of Wish
PALESTRA DEL FEEDBACK: formulare e riformulare la domanda, a collective residency of feedback

Collected and curated by Kadri Sirel

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Appunti per una comunità che Danza

LAVANDERIA A VAPORE